top of page
The Chinese takeout box embodies versatility--cheap yet filling, a workday hustle and weekend indulgence, gathering together or eating alone--and guess what? It is an American invention. 
maxresdefault.jpg

A Three-Step Guidance for Making a Takeout Pail "Chinese"

01

A Plain Carton

02

A Red Pagoda

03

A Faux-Chinese Text

01

whitetakeout_edited.png

The making of a Chinese takeout pail begins with a single piece of white cardboard, held by a wire handle with no seams or glue. 

Paper pail.jpg

 

In1894, the paper pail was created and patented by Frederick W. Wilcox, an American designer based in Chicago. This design dates back to as early as 19th century America, where the oyster industry used similarly shaped wooden receptacles to transport raw oysters. Many Chinese restaurants grew their delivery and take-out businesses to the paramount need for convenience because of the post-WWII suburban migration wave. The pail’s design—leakage-proof, heat-insulating, disposable, portable, and cheap—quickly earned its popularity among Chinese restaurants. 

02

pagoda_edited.png

The transformation happens here!

It is the pagoda, the red tower, that made a plain carton “Chinese.” 

web159.jpg

The red pagoda in San Fransisco's Japanese tea garden

Image: Andrea D. Kaufman

Have you ever wondered, why a red pagoda?

 

A San Francisco designer who worked for Foldpak, the largest takeout pail producer in the US, created the iconic four-story pagoda design in the 1970s. The Chinese pagoda traces its origin to the stupa, a Buddhist structure that enshrined holy relics. A pagoda acted as a conduit to enact ritual efficacy, to ascend religious devotion through the vertical rise. Unlike the four-story pagoda seen on the box, Chinese pagodas always have odd-number stories, as the number “four” in China signals inauspiciousness. 

Here, the pagoda seems to have a stronger resemblance to a Japanese wooden pagoda, usually painted in red. No surprise that the designer might have drawn inspiration from the five-story red pagoda in the well-known Japanese tea garden constructed for San Francisco’s world’s fair in 1894. This generic design erases any geographical, cultural, and historical nuances. Such a non-European appearance with its ambiguous origin(s) could be appropriated according to any beholder’s imagination. Meanwhile, the red fence surrounding the tower in the design guards the tower while keeping the viewing at a safe distance, warding off any specific, potential threats spreading from a constructed exotic structure. 

03

thankyou_edited_edited.png
thankyou_edited_edited.png

Finally, don't forget to put on the faux-Chinese texts.  

The “Enjoy” and “Thank you” texts, rendered in a quite mischievous and playful font, again ensures an exotic experience without leaving the comfort and familiarity of home. As one opens the box, the appetizing oriental fragrance obscures the insidious foreignness: no worries, just simply enjoy!

© 2020 by Zhuotong Han
bottom of page